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Man ray (born emmanuel radnitzky Originally named emmanuel radnitzky, the family legally changed their surname to ray when the artist was young to avoid discrimination for being russian jewish immigrants. He was a significant contributor to the dada and surrealist movements, although his ties to each were informal
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He produced major works in a variety of media but considered himself a painter above all. In the winter of 1921, he pioneered the rayograph, a new twist on a technique used to make photographs without a camera. Man ray (born august 27, 1890, philadelphia, pennsylvania, u.s.—died november 18, 1976, paris, france) was a photographer, painter, and filmmaker who was the only american to play a major role in both the dada and surrealist movements.
He was a significant contributor to the dada and surrealist movements, although his ties to each were informal.
Summary of man ray man ray's career is distinctive above all for the success he achieved in both the united states and europe First maturing in the center of american modernism in the 1910s, he made paris his home in the 1920s and 1930s, and in the 1940s he crossed the atlantic once again, spending periods in new york and hollywood His art spanned painting, sculpture, film,. Man ray’s artworks included sculptures, paintings, prints, and film, and he created in genres inspired by futurism, cubism, and surrealism throughout his lengthy career
Man ray’s photography was much sought after in the commercial world, and he gained much success as a fashion photographer. He remains well known for these images, commonly called photograms but which he dubbed “rayographs” in a punning combination of his own name and the word “photograph.” He pushed the boundaries of each medium he used, inventing techniques that revolutionized photography, film, and painting.
