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Vibrolas work completely differently and have tuning stability issues Most vibrola tailpieces, including the bigsby, lyre and maestro, exist in both long and short versions In this article, i’ll break down their features, functionalities, differences, and which types are better suited for which purposes.
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The maestro vibrola is appreciated for its ability to create vibrato effects aswell as for its distinct aesthetic appeal, which includes engraved lyre motifs on original models. I was surprised, after thinking it was a custom shop historic, to find that it was “only” a production guitar! “maestro vibrola on epiphone coronet
How does it work?” simple answer
At least not very well. The maestro vibrola pickups feature the same signature tone of the ’61 humbucker, and they are equally as effective in creating a vintage tone The maestro vibrola pickups also give you access to a world of tones reminiscent of the classic 1960s. I'm a bigsby nut, so i know that will work and can be completely reversible
What i really want is a vibrola though, even though the mod would be permanent and the tailpiece studs will be visible. Neither offer as much pitch change or stability as a bigsby, and nowhere near what's available from a fender design. I'm really takin' a shine to these '61 sgs with the vibrola Thing is, i only like the looks of it as a tailpiece, and am not interested in using it as a functional vibrato
Does anyone have experience with isolating it, like is easily done on a strat with a small piece of hardwood?
I was impressed by the quality of a new reissue of the '61 sg gibson with the maestro vibrola that came through my shop recently
